![]() The whole room sat breathless with fear, till Hiller came forward and announced that Liszt was already restored to consciousness and was comparatively well again. The effect of this scene was really dreadful. ![]() He fainted in the arms of the friend who was turning over the pages for him, and we bore him out in a strong fit of hysterics. As the closing strains began I saw Liszt's countenance assuming that agony of expression, mingled with radiant smiles of joy, which I never saw on any other human face except in the paintings of Our Saviour by some of the early masters his hands rushed over the keys, the floor on which I sat shook like a wire, and the whole audience were wrapped with sound when the hand and frame of the artist gave way. It was a duet for two instruments beginning with his Mendelssohn's Chants sans Paroles and proceeding to a work of his own. My chair was on the same board as the piano when the final piece began. After this latter piece he gasped with emotion as I took his hand and thanked him for the divine energy he had shed forth. "Liszt had already played a great fantasia of his own, and Beethoven's Twenty-seventh Sonata. Reeves attended a concert of Liszt given in 1835: Paris rhapsodized over him: reproductions of his portrait were to be seen everywhere, and the newspapers called him the second Mozart, the ninth wonder of the world.Īn extraordinary and amusing account of one of Liszt's recitals was given in the autobiography of Henry Reeves. Rubinstein, Tausig and Bulow all admitted that they were mere children in comparison with Liszt" Oscar Beringer.ĭuring his concerting from Munich, Stuttgart, Strasbourg to Paris, Liszt convinces critics that even at the age of 12 he could play better than Moscheles and Hummel, the two great virtuosi of the day. I have seen whole rows of his audience, men and women alike, affected to tears when he chose to be pathetic: in stormy passages he was able by his art to work them up to the highest pitch of excitement through the medium of his instrument he played upon every human emotion. "Words cannot describe him as a pianist - he was incomparable and unapproachable. The most famous of modern sightreaders would undoubtedly be John Ogdon, who sightread Brahms 2 at the Proms after being engaged as an emergency last-minute substitute, reputedly sightread Boulez's second sonata (which considering it took Loriod six months to learn it really is quite incredible), and sightread live on British TV a piece of 19th century virtuoso salon music that he had just picked up in a secondhand shop. Possibly more significantly, in Alan Walker's bio, it is reported there were only two occasions when he felt unable to sightread what was brought to him, once with a Faure piece (Ballade iirc?) where he felt he didn't understand the music properly, and with Tausig's Das Geisterschiff, where he had to stop to work out how to play the chromatic glissando. There is also a documented anecdote of him in his teens sightreading AND transposing simultaneously whilst accompanying a singer (though to be fair, if it was fairly simplistic accompaniment this isn't actually that hard). Liszt is also reputed to have sightread Islamey and it is documented that he publicly sightread a piano concerto during an orchestral performance c.1840. The combination of friska and Lassan imitates the folk motives and identifies Hungarian national character in this piece.Yes, the anecdote pertains to the Grieg piano concerto. The frisky elements are meant to add emotional power with increased tempo and volume (Liszt, 1915, 6:54). The former used in the beginning veils listener with a dramatic mood through several modulations (Liszt 1915, 1:17). For instance, in Hungarian Rhapsody N.2, Liszt uses the forms typical for the Hungarian gypsy folk: Lassan and frisky. There are distinct structural elements inbuilt into the music piece that can demonstrate the specific nation and its characteristics. Music is one of the art forms that can be used to describe the national background of a particular nation or an artist who represents it. Liszt’s exposure to Hungarian folk music contributed to the development of nationalistic motives in Hungarian Rhapsodies. Liszt is named as one of the most authentic romanticism representatives and is often highlighted for his work as a prodigy (Saffle, 2018). At a young age, Liszt heard Gypsy music and Hungarian folk that later majorly influenced his work. Franz Liszt is an Austro-Hungarian composer who started his career as a performer.
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